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La Mirada Symphony Association is a 501(c)(3) nonprofit. Donations are tax-deductible as allowed by law.

Next free concert: The Phantom of the Opera, a live score for the silent film classic See dates & plan your visit →
La Mirada Symphony

The 2026–27 Season

Every concert is free at the La Mirada Theatre for the Performing Arts.

All ConcertsPlan Your VisitLa Mirada Theatre for the Performing Arts
Stage to Screen: The Phantom of the OperaThur, Oct 22, 2026 - 7:30 p.m.An Afternoon of Chamber MusicSun, Jan 24, 2027 - 3:00 p.m.Sketches of SpainSun, Mar 14, 2027 - 3:00 p.m.Ode to JoySun, May 16, 2027 - 3:00 p.m.
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La Mirada Symphony
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February 20, 2022

West Coast Premiere of ‘Our Rights and Nothing Less’

Free Concert

February 20, 2022

La Mirada Theatre for the Performing Arts
14900 La Mirada Blvd, La Mirada, CA 90638

Pre-Concert Lecture at 2:15 p.m.

Concert Begins at 3:00 p.m.

“Our Rights and Nothing Less” on words of Susan B. Anthony (West Coast Premiere) - M. Newman
Lyric for Strings - Walker
Overture to Die Fledermaus -Strauss
Red Poppy Suite - Gliere

About Maria Newman

Maria Newman is a composer of classical music, violist and pianist. She is the youngest child of Hollywood film composer Alfred Newman. Maria holds the Louis and Annette Kaufman Composition Chair; and the Joachim Chassman Violin Chair at the Montgomery Arts House for Music and Architecture in Malibu, California, and is a founder of the Malibu Friends of Music. Her library of original works represents a range of genres, from large-scale orchestral works, works for the ballet, chamber works, choral and vocal works, to new collaborative scores for vintage silent film. She has been presented with many awards and commissions, including musical commendations from the United States Congress (2009), the California State Senate (2009), the California State Assembly (2009), the City of Malibu (2010), and the Annenberg Foundation (2011).

About George Walker

George Theophilus Walker (June 27, 1922 – August 23, 2018) was an American composer, pianist, and organist, who was the first African American to have won the Pulitzer Prize for Music. He received the Pulitzer for his work “Lilacs” in 1996.

Walker was married to pianist and scholar Helen Walker-Hill (May 26, 1936 – August 8, 2013) between 1960 and 1975. Walker was the father of two sons, violinist and composer Gregory T.S. Walker and playwright Ian Walker.

In his later years, Walker taught at New York’s New School, Rutgers University in New Jersey, where he was the Chair of the music department, and the Peabody Institute, to name a few.

About Johann Strauss II

October 25, 1825 – 3 June 3, 1899. Johann Strauss Jr. was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as “The Waltz King,” and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss’s most famous works include “The Blue Danube,” “Kaiser-Walzer” (Emperor Waltz), “Tales from the Vienna Woods,” and the “Tritsch-Tratsch-Polka.” Among his operettas, “Die Fledermaus” and “Der Zigeunerbaron” are the best known.

About Reinhold Glière

December 30, 1874 – June 23, 1956. Reinhold Glière, of German and Polish descent, who was noted for his works incorporating elements of the folk music of several eastern Soviet republics.

Although all of his important compositions came during the first half of the twentieth century, the body and style of his work place Glière solidly at the end of the nineteenth century in spirit. He studied theory under a student of Rimsky-Korsakov and, upon entering the Moscow Conservatory in 1894, studied composition and harmony with the likes of Arensky, Taneyev, and Ippolitov-Ivanov. In 1900, he was awarded the school’s highest prize in composition, the gold medal. His third symphony, subtitled “Ilya Murometz,” which premiered in Moscow in 1912, propelled his career forward; in 1913 he was named director of the Kiev Conservatory, a position he held all through the Russian Revolution.

Safety Protocol

The health and safety of the artists, staff, volunteers, guests, and others who inhabit the La Mirada Theatre for the Performing Arts is the venue’s number one priority.

Updated safety protocols will be posted on the Theatre’s website as they continue to follow Public Health guidelines.

Be sure to visit the website through the link below for updated safety information. We appreciate your cooperation.

Health and Safety Updates

The 2021-2022 Season

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Support The La Mirada Symphony

The La Mirada Symphony is a California 501(c)(3) Nonprofit Organization. Your donation today assists us in keeping our concerts free for the residents of Southern California, and it is tax deductible.

Our Federal ID number is #94-3223735. Thank you for supporting the performing arts.

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COMMUNITY  + CORPORATE SUPPORTERS

La Mirada Symphony’s free concerts are made possible through community support, local partners, donors, advertisers, and civic champions who believe live symphonic music should remain accessible to everyone.

OUR VISION

The La Mirada Symphony maintains its policy of offering free quality concerts to the residents of Southern California.

The La Mirada Symphony is a California 501(c)(3) Nonprofit Organization. Your donation today is tax deductible. Our Federal ID number is #94-3223735. Thank you for supporting the performing arts.

Our Mailing Address

The La Mirada Symphony Association
P.O. Box 117
La Mirada, CA 90637-0117
Email: info@lamiradasymphony.com

Recent News

  • Symphony orchestra performing on a concert stage as the conductor leads from the podiumWhy Did Russian Composers Become Obsessed With Spain?
  • The La Mirada Symphony performing on stage.Why Do We Recognize a Song After Hearing Only a Few Notes?
  • Young violinist performs on stage alongside La Mirada Symphony musiciansWhy Learning an Instrument Changes the Way a Child Hears the World
  • The Phantom and Christine in a scene from the 1925 silent film The Phantom of the Opera, presented in sepia with subtle burgundy accents.Why Is The Phantom of the Opera Still Scary 101 Years Later?

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La Mirada Symphony

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