Advertise with the Symphony
Reach a dedicated local audience while helping keep live orchestral music free for the community.
Explore Advertising OpportunitiesPut your business in front of an audience that shows up for the arts.
La Mirada Symphony concerts bring together local residents, families, professionals, educators, students, donors, and community leaders.
Advertising with us gives your business visibility in a setting built on trust, culture, and community connection — while helping keep live orchestral music free for the community.
Simple, transparent pricing.
Whole Page
$600
Half Page
$400
Quarter Page
$225
Business Card
$125
Personal Line
$35
Artwork: High-resolution 300 DPI required for print quality.
Your ad reaches beyond the program.
When you advertise with the La Mirada Symphony, your business is not limited to a printed program. Select opportunities may also include visibility across multiple audience touchpoints.
On Stage Recognition
Your business is featured on-screen and may be acknowledged during the live concert experience.
Website Presence
Opportunities to appear on our website, where audiences visit for concert details and community engagement.
Social Media Exposure
Mentions across our social platforms, extending your reach beyond the concert hall.
Availability of expanded recognition may vary by advertising level and sponsorship package.
Advertising with purpose feels different.
Your message is not buried in a noisy feed or skipped after five seconds. It appears in a live community setting where audiences are present, engaged, and connected to the experience.
What your business receives
- Local visibility with people who live, work, dine, shop, and give in the area.
- Positive brand association with a respected nonprofit arts organization.
- Community goodwill by helping keep concerts free and accessible.
- Memorable placement connected to a real cultural event.
Reserve your advertising space today.
Connect your business with a vibrant local audience while supporting free live music in the community.
Email Us to Reserve Ad SpaceA Season On Record
Inspired by the golden age of album-cover design — bold typography, modernist art, and the feeling that music was something you could see before you ever heard it.
The concert page as album cover
This design treats the artwork as the visual anchor of the page, almost like a record jacket displayed in a shop window. The surrounding website design supports it with warm paper tones, sharp black typography, burnt orange accents, and small geometric details that echo the language of 1950s and 1960s album art.
Instead of making the page feel like a standard nonprofit event listing, the design gives the Symphony a seasonal identity — something collectible, recognizable, and artistic. Each concert could have its own “album cover” while the website keeps a consistent visual system.
For the next season, this could become a beautiful system: each concert gets a distinctive cover image, but every page uses the same design vocabulary — strong headlines, liner-note style descriptions, geometric accents, and a sense that the Symphony is not only presenting music, but curating a cultural experience.
A Season On Record
A modern concert season inspired by the elegance of classical record sleeves and the graphic imagination of mid-century album art.
A more elegant way to present a symphony season.
This version keeps the authority of a classical record label while allowing the artwork to bring warmth, movement, and personality to the page. The hero feels bold and collectible, while the body copy settles into a calmer “liner notes” rhythm.
The design does not try to imitate the past too literally. Instead, it borrows the best parts of the era: strong typography, disciplined spacing, warm paper tones, and the feeling that each concert has its own visual identity.
The large headline uses a clean modern sans-serif so the website feels current. The body text uses a serif font to create the feeling of printed program notes or album liner notes.
As a season system, this could set La Mirada Symphony apart from other local orchestras. Each concert can feel like part of a collectible album series: refined enough for classical music, playful enough to feel fresh, and memorable enough to build a recognizable visual identity.
Alan Mautner
Leading the La Mirada Symphony with passion, musicianship, and decades of experience as a performer, educator, and conductor.
The page uses a bold modern headline style with warm printed textures, muted photography, and hard offset shadows inspired by mid-century album liner notes.
Serious Music. Beautifully Framed.
The photography carries the human personality of the page.
The typography keeps the Symphony looking established and credible.
Small color accents keep the design lively without overwhelming the eye.
Leading the Symphony with passion and experience.
A Southern California musician with deep roots in orchestral performance
Alan Mautner is a native of Southern California, growing up in nearby Downey. He received his Bachelor of Music Degree in cello performance from California State University, Fullerton.
He has been very active as a freelance cellist, performing with orchestras such as the Pacific Symphony, Riverside Symphony, Redlands Symphony, Desert Symphony, Mozart Classical Orchestra, and the La Mirada Symphony, where he served as principal cello for several seasons.
He has performed with noted artists including James Taylor, George Benson, Andrea Bocelli, Crystal Gayle, John Tesh, Glen Campbell, Dionne Warwick, and Phil Collins, as well as jazz artists including Terry Gibbs, Teddy Edwards, and McCoy Tyner.
A career shaped by teaching, conducting, and developing young musicians.
Mr. Mautner has been conducting ensembles since his high school days. He began conducting the Symphony Orchestra at the Los Angeles County High School for the Arts in 1994, a position he still holds today.
During his tenure, the LACHSA Orchestra has received numerous superior ratings at local festivals. The orchestra has also been selected to be part of the Los Angeles Philharmonic Educational Partnership, allowing many master class and coaching opportunities for students.
From the classroom to Walt Disney Concert Hall
Mr. Mautner and the LACHSA Orchestra were invited to perform at the Walt Disney Concert Hall in the spring of 2013. He also co-conducts the LACHSA String Ensemble and coaches string chamber music.
Helping students grow into serious musicians.
Many of Mr. Mautner’s students have gone on to major music schools including Juilliard, Manhattan School of Music, Oberlin, Eastman, and USC.
His work at LACHSA has also involved conducting operas such as The Magic Flute, Tales of Hoffman, and Carmen, as well as serving as music director for musical theater works including West Side Story, Evita, Into the Woods, and Phantom of the Opera.
- Conductor of the Symphony Orchestra at the Los Angeles County High School for the Arts
- Co-conductor of the LACHSA String Ensemble
- Coach for string chamber music
- Collaborator with LA Opera conductor James Conlon for Britten’s The Little Sweep
Connecting music education with community access.
In January 2014, Mr. Mautner became the Partnership Manager for YOLA at LACHSA, an initiative partnered with the Los Angeles Philharmonic to bring music into the lives of fourth-grade students in the East Los Angeles area.
In its first month, 95 fourth-grade students began learning string instruments on the campus of LACHSA free of charge. They were visited by Gustavo Dudamel, music director of the LA Phil, for the program’s grand opening in March.
Mr. Mautner is also the conductor of the Wildwood Music Camp Senior High Festival Orchestra, a position passed to him from his father, Arthur Mautner, in 2007. He has conducted the Pasadena Summer Young Chamber Orchestra, served as guest conductor for the Pasadena All-City Orchestra, and directed the Cal Poly Pomona String Ensemble from 2005 to 2009.
Experience the Symphony Live.
Join us for a free concert and experience the artistry of Alan Mautner and the La Mirada Symphony.
The Conductor Behind the Sound
Alan Mautner has spent decades shaping musicians, orchestras, and the next generation of performers across Southern California.
Behind every performance is a conductor shaping not just sound, but people — bringing musicians together, guiding young talent, and helping an audience feel the music as something alive.
Music is not just performed. It is passed on.La Mirada Symphony
Every performance tells a human story.
Students do not just learn music — they step onto a real stage.
Classical music is meant to be shared, not kept at a distance.
Leading the Symphony with passion, precision, and a deep sense of purpose.
A Southern California musician with deep roots in orchestral performance
Alan Mautner is a native of Southern California, growing up in nearby Downey. He received his Bachelor of Music Degree in cello performance from California State University, Fullerton.
He has been very active as a freelance cellist, performing with orchestras such as the Pacific Symphony, Riverside Symphony, Redlands Symphony, Desert Symphony, Mozart Classical Orchestra, and the La Mirada Symphony, where he served as principal cello for several seasons.
He has performed with noted artists including James Taylor, George Benson, Andrea Bocelli, Crystal Gayle, John Tesh, Glen Campbell, Dionne Warwick, and Phil Collins, as well as jazz artists including Terry Gibbs, Teddy Edwards, and McCoy Tyner.
Before he ever stood before the La Mirada Symphony as conductor, Mautner understood the orchestra from the inside — as a player, a collaborator, and a musician shaped by the discipline of ensemble performance.
A career shaped by teaching, conducting, and developing young musicians.
Mr. Mautner has been conducting ensembles since his high school days. He began conducting the Symphony Orchestra at the Los Angeles County High School for the Arts in 1994, a position he still holds today.
During his tenure, the LACHSA Orchestra has received numerous superior ratings at local festivals. The orchestra has also been selected to be part of the Los Angeles Philharmonic Educational Partnership, allowing many master class and coaching opportunities for students.
That connection between professional musicianship and student growth is central to the La Mirada Symphony’s own story: a serious orchestra that still believes live music should be close, personal, and accessible.
Helping students grow into serious musicians.
Many of Mr. Mautner’s students have gone on to major music schools including Juilliard, Manhattan School of Music, Oberlin, Eastman, and USC.
His work at LACHSA has also involved conducting operas such as The Magic Flute, Tales of Hoffman, and Carmen, as well as serving as music director for musical theater works including West Side Story, Evita, Into the Woods, and Phantom of the Opera.
- Conductor of the Symphony Orchestra at the Los Angeles County High School for the Arts
- Co-conductor of the LACHSA String Ensemble
- Coach for string chamber music
- Collaborator with LA Opera conductor James Conlon for Britten’s The Little Sweep
Connecting music education with community access.
In January 2014, Mr. Mautner became the Partnership Manager for YOLA at LACHSA, an initiative partnered with the Los Angeles Philharmonic to bring music into the lives of fourth-grade students in the East Los Angeles area.
In its first month, 95 fourth-grade students began learning string instruments on the campus of LACHSA free of charge. They were visited by Gustavo Dudamel, music director of the LA Phil, for the program’s grand opening in March.
Mr. Mautner is also the conductor of the Wildwood Music Camp Senior High Festival Orchestra, a position passed to him from his father, Arthur Mautner, in 2007. He has conducted the Pasadena Summer Young Chamber Orchestra, served as guest conductor for the Pasadena All-City Orchestra, and directed the Cal Poly Pomona String Ensemble from 2005 to 2009.
Come hear it for yourself.
Experience the artistry of Alan Mautner and the La Mirada Symphony in a live concert setting where classical music feels immediate, human, and shared.
The Conductor Behind the Sound
Alan Mautner has spent decades shaping musicians, orchestras, and the next generation of performers across Southern California.
Behind every performance is a conductor shaping not just sound, but people.
Behind every performance is a conductor bringing musicians together, guiding young talent, and helping an audience feel the music as something alive.
For the La Mirada Symphony, that human connection is central to the experience. Alan Mautner’s work is not only about precision from the podium. It is about mentorship, memory, discipline, and the belief that classical music becomes most powerful when it is shared in the room.
Music is not just performed. It is passed on.La Mirada Symphony
Every performance tells a human story.
Students do not just learn music — they step onto a real stage.
Classical music is meant to be shared, not kept at a distance.
Leading the Symphony with passion, precision, and purpose.
A Southern California musician with deep roots in orchestral performance
Alan Mautner is a native of Southern California, growing up in nearby Downey. He received his Bachelor of Music Degree in cello performance from California State University, Fullerton.
He has been very active as a freelance cellist, performing with orchestras such as the Pacific Symphony, Riverside Symphony, Redlands Symphony, Desert Symphony, Mozart Classical Orchestra, and the La Mirada Symphony, where he served as principal cello for several seasons.
He has performed with noted artists including James Taylor, George Benson, Andrea Bocelli, Crystal Gayle, John Tesh, Glen Campbell, Dionne Warwick, and Phil Collins, as well as jazz artists including Terry Gibbs, Teddy Edwards, and McCoy Tyner.
Before he ever stood before the La Mirada Symphony as conductor, Mautner understood the orchestra from the inside — as a player, a collaborator, and a musician shaped by the discipline of ensemble performance.
A career shaped by teaching, conducting, and developing young musicians.
Mr. Mautner has been conducting ensembles since his high school days. He began conducting the Symphony Orchestra at the Los Angeles County High School for the Arts in 1994, a position he still holds today.
During his tenure, the LACHSA Orchestra has received numerous superior ratings at local festivals. The orchestra has also been selected to be part of the Los Angeles Philharmonic Educational Partnership, allowing many master class and coaching opportunities for students.
That connection between professional musicianship and student growth is central to the La Mirada Symphony’s own story: a serious orchestra that still believes live music should be close, personal, and accessible.
Helping students grow into serious musicians.
Many of Mr. Mautner’s students have gone on to major music schools including Juilliard, Manhattan School of Music, Oberlin, Eastman, and USC.
His work at LACHSA has also involved conducting operas such as The Magic Flute, Tales of Hoffman, and Carmen, as well as serving as music director for musical theater works including West Side Story, Evita, Into the Woods, and Phantom of the Opera.
- Conductor of the Symphony Orchestra at the Los Angeles County High School for the Arts
- Co-conductor of the LACHSA String Ensemble
- Coach for string chamber music
- Collaborator with LA Opera conductor James Conlon for Britten’s The Little Sweep
Connecting music education with community access.
In January 2014, Mr. Mautner became the Partnership Manager for YOLA at LACHSA, an initiative partnered with the Los Angeles Philharmonic to bring music into the lives of fourth-grade students in the East Los Angeles area.
In its first month, 95 fourth-grade students began learning string instruments on the campus of LACHSA free of charge. They were visited by Gustavo Dudamel, music director of the LA Phil, for the program’s grand opening in March.
Mr. Mautner is also the conductor of the Wildwood Music Camp Senior High Festival Orchestra, a position passed to him from his father, Arthur Mautner, in 2007. He has conducted the Pasadena Summer Young Chamber Orchestra, served as guest conductor for the Pasadena All-City Orchestra, and directed the Cal Poly Pomona String Ensemble from 2005 to 2009.
These performances are offered as part of a continuing belief that live orchestral music should remain close to the community — not distant, not intimidating, but shared in the room together.
End Notes · La Mirada SymphonyCome hear it for yourself.
Experience the artistry of Alan Mautner and the La Mirada Symphony in a live concert setting where classical music feels immediate, human, and shared.
Echoes of Russia
An afternoon of sweeping orchestral drama, young artistry, and live music that brings the community into the room together.
Some concerts are built around spectacle. Others are built around feeling. This one brings both into the room.
Echoes of Russia brings together the force of a full orchestra, the intimacy of live sound, and the rare chance to experience powerful classical music without a ticket barrier.
For La Mirada Symphony, the concert is not only about the program. It is about the invitation. The doors open, the audience gathers, and the music becomes something shared by families, students, longtime listeners, and people hearing a live orchestra for the first time.
This is what live music feels like when it belongs to everyone.La Mirada Symphony
A free concert designed to welcome the full community.
Music that moves from brightness and wit to deep emotional force.
A live orchestral experience shaped by musicians, students, and audience together.
A concert of color, tension, memory, and release.
- Opening Work Kabalevsky · Overture to Colas Breugnon
- Featured Work Tchaikovsky · Symphony No. 6, “Pathétique”
- Featuring Student soloists and the La Mirada Symphony
The program moves like a story on vinyl: an opening burst of energy, a turn inward, and then the long emotional arc of Tchaikovsky’s final symphony.
Tchaikovsky does not simply fill a hall. He changes the temperature of it.
Music that still feels immediate
Tchaikovsky’s Symphony No. 6, known as the “Pathétique,” remains one of the most emotionally direct works in the orchestral repertoire. It is intimate and overwhelming at once, music that can feel whispered one moment and devastating the next.
For audiences hearing it live, the experience is physical as much as musical. The strings breathe. The brass expands the room. The silences matter. This is music that asks people not only to listen, but to feel.
No tickets. No barriers. Just music in the room.
La Mirada Symphony’s free concerts are built on a simple but powerful idea: live orchestral music should not belong only to those who already know how to find it, afford it, or feel comfortable walking into a concert hall.
When admission is free, the invitation changes. Families can come. Students can come. Curious first-time listeners can come. The concert becomes not just a performance, but a civic gathering.
- Free admission for the community
- Pre-concert lecture at 2:15 PM
- Concert begins at 3:00 PM
- La Mirada Theatre for the Performing Arts
Every student on stage changes the meaning of the concert.
One of the most powerful parts of La Mirada Symphony’s work is the space it creates for young musicians to stand inside a professional orchestral environment. A student soloist does more than perform a piece. They enter a tradition.
For the audience, that moment matters too. It reminds us that classical music is not frozen in the past. It is being learned, challenged, carried forward, and made personal by the next generation.
The stage becomes a bridge: between teacher and student, orchestra and audience, tradition and future.
A concert hall close enough to feel like it belongs to the neighborhood.
The La Mirada Theatre for the Performing Arts gives the Symphony a home that feels both polished and approachable. It is large enough to carry the sound of a full orchestra, but close enough to keep the experience human.
That balance is part of the La Mirada Symphony identity: serious music without distance, live performance without intimidation, and a concert experience that invites people in rather than holding them outside.
Echoes of Russia is more than a concert title. It is a reminder that music carries memory across countries, generations, classrooms, stages, and communities.
End Notes · La Mirada SymphonyJoin us May 17.
Attend the free pre-concert lecture at 2:15 PM, then experience the La Mirada Symphony live at 3:00 PM at the La Mirada Theatre for the Performing Arts.